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Gurus
Professional Qualifications in Music
Organization and direction
Research Activities in Sanskrit and Music
Other Activities

 

Gurus
 

Pt. Ravishankar, 1963-present

Mrs. Annapurnadevi Ravishankar, 1963-76

Ustad Khurshid Mirajkar, 1960-63

Ustad Shabuddin Khan Mirajkar, 1958-60

 

Professional Qualifications in Music
 

Soormani, music (sitar), Sur Singar Sansad, Bombay, 1980.

Sangeet vibushan (sitar pravin), music (sitar), Rajasthan University, Udaipur, 1976.

First master fellow, music (sitar), National Centre for Performing Arts, Bombay, 1971-76.

 

Musical Achievements
 

Repertoire of more than fifty-five ragas.

Sitar with

  • Pakhawaj and tabla
  • Indian talas played on western drums and tabla
  • Taiko (Japanese drum)
  • Shakuhachi (Japanese flute)
  • Shamisen, koto and jushichigen (Japanese stringed instruments)

Composition of the new ragas named

  • Raga Darshanam
  • Raga Nihonindo
  • Raga Mahatma
  • Raga Pooja
  • Shuddha Kaushi
  • Shuddha Ahir

Invention of talas for new compositions in

3 and 1/2 beats tala computerized with electronic drums

computerized notes with electronic drums

5 and 1/2 beats tala named madhav

 

Memorable Concerts
 
  • Concert in the Adelaide Festival Fringe 2004 presented by Opus Performing Arts Community, Adelaide
  • Various concert in Japan during 2003 including the World Peace Event , Tokyo; a celebration of Diwali in Yokohama and in the Edo Festival hosted by Chiyoda City, Tokyo.
  • Concert in Melbourne presented by Surashree, 2003.
  • Wesleyan University concert, Connecticut, 2002.
  • Performance at Jammin'… Making Music Together presented by the Queensland Conservatorium Griffith Universtiy, Brisbane, 2002.
  • Concert for an international conference, Pune, 2002.
  • Concerts celebrating 50th year of India-Japan diplomatic relations, Tokyo, 2002.
  • Concert for Bharatiya Gynapeeth, New Delhi, 2002.
  • Concert for the Kala Academy, Devas and the Kumar Gandharva Music Festival, Indore, 2002.
  • Concert for the Adidam Organization in California, 2002.
  • 10th anniversary concert for Hindi Samaj, Sydney and a concert in Wollongong, October 2001
  • Concerts for Intervision, Ginza and Toshiba Hospital, Oimachi, Japan 2001
  • Concert for sitar and jazz ensemble as part of Jazz Series 2001, Adelaide; featured artist at UTSAV 2001 presented by the Federation of Indian Communities of Queensland Inc., Brisbane and a concert in Perth, 2001
  • Performance at the Sanskriti Bhavan, Bhopal, 2001
  • Concert series presented by the Society for Promotion of Indian Classical
  • Music and Culture Amongst Youth, Indore, Mandsaur, Bhopal, Satna, Rewa, Maihar and Jabalpur, 2001
  • Concert celebrating the 80th birthday of Ravi Shankar hosted by the Indian High Commission, Canberra; goodwill concert at Wollongong University, 2000
  • Concerts presented by the Bharatiya Sanskriti Darshan Trust in Mumbai and Pune, 2000
  • Performances at international music events of solo sitar, sitar duets with shakuhachi, shamisen, koto, jushichigen and taiko with a grand finale featuring all these instruments, Chiryu and Tokyo, 2000
  • Concert marking ten-year association of sister cities Kawasaki and Pune with grand finale featuring sitar with taiko accompaniment, Kawasaki, 2000
  • Hindustani Sangeet Vidyapeeth concert, Bangalore, 1999
  • Concerts at Brihan Maharashtra Mandal of North America Convention '99, San Jose; the Maharashtra Mandal and the Sri Venkateswara Temple, Pittsburgh; the India Heritage Centre, Washington D.C. and the Indo-American Community Service Centre, San Francisco on a visit to the United States of America, July 1999
  • Autumn and spring '98 concert series, Adelaide
  • Ma Archana Puri Ashram Festival, Calcutta and the International Conference on Ayurveda, Pune, 1997
  • Inauguration concert for the Sholapur Festival, 1997
  • Sitar with Japanese traditional drums, Nagano and the Yokohama International Festival, Japan, 1996-97
  • Concert for Ma Nirmala Devi, Bombay, 1994
  • International Zoology Conference, Pune, 1993
  • Concerts throughout Japan since 1991, including Hiroshima, Kobe, Shizuoka, Chiryu, Tokyo, the Okinawa International Music Festival and the Kawasaki International Music Festival
  • Australian Festival of Asian Arts, Melbourne, 1992, sponsored by the Indian Council of Cultural Relations
  • Pune (formerly the Ganesh) Festival, 1990
  • Golden Sitar Concert Series, Adelaide, 1990
  • Spirit of Freedom Concert, Hyderabad, 1988
  • Gandharva Mahavidyalaya Institute of Music, New Delhi, 1988
  • No professional concerts 1983-87 due to study for doctoral thesis, however, performances within the University of Poona at various conferences including the National Symposium of Space Sciences and the International Symposium in Radiochemistry
  • Felicitated by His Holiness Shri Jagadguru Shankaracharya from Sringeri as Darbari Sitarvadak (Royal Sitarist), 1981
  • German concert tour including Munich, Regensburg, Nurnberg and Bremen in 1981
  • International Sanskrit Conference, Banaras and Panini Vishwa Parisanvad (Sanskrit Grammarians' World Conference), Pune, 1981
  • Rajkot Kala Academy, Bombay; 75th anniversary concert for Mrs. Hirabai Badodekar, Pune and Soormani Award, Bombay, 1980
  • Shri P. K. Sardeshmukh Maharaj's 60th birthday anniversary, Pune; Sur Singar Sansad, Kal-Ke-Kalakar, Bombay, 1979
  • Ganatapsvini Megubai Kurdikar's 75th birthday anniversary; Indo-Britain Educational Representatives' Conference, Bombay, 1979
  • Diamond jubilee of the Bhandarkar Institute, Pune, 1978
  • Pt. Narayan Rao Vyas's 75th birthday anniversary, Bombay, 1977
  • Concert for Padmabhushan Mallikarjun Mansoor and Dharwad Kala Kendra, Dharwad; convocation for Sangeet Vibushan Degree and
  • Mangalarambha Concert, Udaipur, 1976
  • Recital for Rajeshwar Shastri Dravid, Pune, 1976
  • Concert as First Master Fellow of the National Centre for Performing Arts, Bombay, 1975
  • 60th birthday anniversary of Mrs. Hirabai Badodekar, Pune, 1965
  • Gurugrihi shikshan with Ravi Shankar and Annapurnadevi Ravi Shankar, 1963-1976
  • 70th anniversary of Shri N. S. Phadke; concert for Padmashri Thirakhavan Khan and Saint Purandardas's 400th anniversary, Pune, 1964
  • Abdul Karim Khan's death anniversary and urus; Sawai Gandharva Music Festival, Pune, 1963
  • First public concert, Wadia College, Pune, 1961

 

Composition and Music Direction
 

Music direction of Conservatorium Divertimenti (Queensland Conservatorium music students) in a new composition for strings based on Raga Puriya Kalyan presented at Jammin'…Making Music Together by the Queensland Conservatorium Griffith University, Brisbane 2002.

 

 

An Indian music meets jazz concert as part of the Jazz Series 2001 performed with sitar and ensemble of saxophones, flute, guitar, bass, violin and percussion presented by Jazz Coordination SA.

 

 

Celebration compact disc dedicated to Pt. Ravi Shankar on his 80th birthday released in 2000.

 

 

Compositions for international music events of separate sitar duets with shakuhachi, shamisen, koto and jushichigen accompanied by Japanese drums and a grand finale with all the above instruments and tabla accompaniment, Chiryu and Tokyo, 2000. 

 

 

Composition of the grand finale to a charity concert marking the ten year association of sister cities Kawasaki and Pune featuring Japanese drums with sitar, Kawasaki, 2000.

 

 

Many MP3.com D.A.M. CDs of traditional Indian sitar music , vedic chanting and east-west comined music composition were released during 1999-2000 titled Koyo (Autumn Views), Melodies From Within, Divine Touch, Healing Chants, and Magic in Fingers

 

 

Music director for the compact discs  East Light  & Temple Trees in collaboration with Australian lyricist and composer Kelvin Brown released in 1998

 

  Composed and directed a cultural programme of vocal light classical music in 1998 for guests of the Indian Embassy, Tokyo, created from his own compositions based on the poems of Indian diplomat, Mr. Dnyaneshwar Mulay
 

Artistic director for Darshanam, a cultural program for the Bharatiya Sanskriti Darshan Trust, Vagholi, 1997.

 

 

Composed the music for a feature film directed by Mr. Anand Madgulkar in 1997

 

 

Composed the background music for the drama serial Vedkalin Striya based on Vedic literature, televised on the national network (DDI) in 1994

 

 

Composed the soundtrack for the film Aamukh directed by Mr. Rajkumar, a student of the Film and Television Institute of India which received the President of India Award at the New Delhi Film Festival, 1991

 

 

Composition of soundtracks for films broadcast nationally by the Educational Media Research Centre, University of Poona, 1983-90

 

 

Organizer, director and musical director of the play Vishwa Shanti for the 75th Indian Science Congress, 1988

 

 

Composed several compositions including versions of "Vande Mataram" (the national anthem) and "Pune Vidyapeeth Geet" (the song of Poona University).
As a Samavedic musician, he has also specialized in composing Sanskrit verses

 

 

Composition and direction for the Deccan Education Society, Fergusson College, Pune, 1985

 

 

Organization and Direction
 

Univ 87, a vocal, instrumental, drama and dance competition at the University of Poona

   
 

Programs relating space, physics and music for the National Symposium for Space Physics and the golden jubilee of Madam Curie Year, University of Poona, 1985

   
 

Competitions at youth festivals including Firodiya Karandak and Purushottam Karandak, 1981-1987

   
 

Adapted Hamlet into Sanskrit as Chandrasenah Durgdeshasya Rajnyah for the Panini Vishvu Parisanvad,1981

   
 

Music direction at all the convocations, symposiums, seminars and conferences held at the University of Poona, 1980-86

   
 

Mangal Geeta for the diamond jubilee of the Oriental Institute, 1978

   
  Solo Kathak dance for Vidya Koshti, 1961

 

Research Activities In Sanskirt and Music
  Music therapy projects in India, Australia and Japan 1998-present. These include sessions for SPIC MACAY, Indore; Townshend and Kilparrin Schools, Julia Farr Centre, St. Patrick's Special School, Mercedes College and for Yoga in Daily Life with Swamajii Mahweshwarananda, Adelaide; Swami Medhasananda directed Meditation, Tokyo.
   
  Composed Raga Nihonindo (Raga Japan-India) in which the basic five Japanese notes were given the Indian forms of raga and tala in tal rupak , 1998.
   
 

Since 1999 he has researched and experimented the therapeutical effect of Indian music. Please read here for more details. He has effectively applied his music to reduce stress and other disorders in normal persons, as well as mentally challenged children.

   
 

Seminar for composers of electronic music with input of material performed on sitar by Dr. Sardeshmukh realized as electronic compositions and subsequently issued as a compact disc, Performing Arts Technology Unit,
University of Adelaide, 1998

   
 

Samagana and Computer: Input/Output? Software Development for Samavedic Gana Text" presented at the First National Conference of Knowledge Representation and Inference in Sanskritam, Bangalore, 1987 where it was much appreciated by traditional Samavedic scholars from South India who were awed at his mastery in overcoming computer related difficulties in generating the chanting sound. This paper was also published in IEEE Transactions on Acoustics and Speech Signal Processing, New York, 1987 as "Analytic and Computerized Music Composition with Reference to Samavedic Gana Text"

   
  Awarded a Ph.D. in Sanskrit, University of Poona for the thesis entitled "Samavedic Basis of Indian Music." The essence of this research was published by the Press Trust of India, 1987
   
  "Svara vishayak kahi vicnar," a research paper presented at the fourth annual seminar for research scholars, University of Poona, 1986
   
  Research paper on Raga Basant with reference to the Gita Govinda, presented at the first annual seminar for research scholars, University of Poona, 1983

 

Teaching
 

Lecture-demonstration for secondary school students, Mercedes College, Adelaide 2000.

   
 

Lecture-demonstration for ethnomusicology students, Elder Conservatorium-School of Performing Arts, University of Adelaide, 2000

   
 

Lecture-demonstration at the School of Music, Australian National University, Canberra 2000.

   
 

Lecture-demonstrations, workshops and performances for a joint project involving dance, drama and music at the Centre for the Performing Arts, Adelaide Institute of Training and Further Education (TAFE SA); the Drama Centre, Flinders University; the Elder Conservatorium-School of Performing Arts, University of Adelaide and the Noarlunga Music Centre, Onkaparinga Institute of TAFE SA, 1999. The award of a grant for funding from the Helpmann Academy for the Visual and Performing Arts supported the project

   
 

Lectures and seminars for students of ethnomusicology, Faculty of Performing Arts and composers of electronic music, Performing Arts Technology Unit, University of Adelaide and music students at the Flinders Street Music School, Adelaide Institute of TAFE SA, 1998

   
 

Member of an ad hoc board of studies for the Instrumental Music Department of Shivaji University, Kolhapur and a member of the examination committee,1990-2000

   
 

Chairperson of the examination board of the Performing Arts Department, University of Poona for diploma, graduation and post-graduation examinations and taught music related courses for post-graduation students up to 1996

   
 

Visiting professor to the Performing Arts Department, University of Poona, 1990-96

   
 

Performances in various Japanese schools during 1995 and 1996 which provided children with a comprehensive introduction to Indian music and culture

   
 

Lectures and demonstrations at the Tokyo University of Fine Arts (Ongak Daigaku), Nagoya University and Gifu University, Japan, 1991

   
 

Lectures and performance-demonstrations at the Elder Conservatorium, University of Adelaide; Salisbury campus of the South Australian College of Advanced Education (SACAE); School of Performing Arts, Adelaide SACAE; Scotch College and Concordia College, 1990

   
 

Lectures at the Gandharva Mahavidyalaya Institute of Music, New Delhi, 1989

   
 

Presented a paper at a national seminar, University of Bombay, 1989

   
 

Lecture and demonstration at the Indian International Centre, New Delhi, 1989

   
 

Examiner of music and dance at the National Youth Festival, Roorki, 1989

   
 

Music teacher with the University of Poona, 1980-87

   
 

Workshop of master fellows from Rajkot Sangeet Academy, Gujarat, 1984

 

Other Activities
 

Dr. Sardeshmukh is enthusiastic about new technologies and since October 1999 has appeared on the mp3.com website with many of his music compositions free to download for music lovers. www.mp3.com/darshanam

   
 

Dr. Sardeshmukh has kept pace with the growing technical world by opening his website at http://www.darshanam.com in April 1999


   
 

Trustee of the Bharatiya Sanskriti Darshan Trust since 1979 and director of the Sama Sangeet Sabha and Research Centre, Vagholi, Pune, 1996-Present.

   
 

Founder member of the Sholapur Festival, 1997.

   
 

Student founder member, ad hoc board member, member of the advisory committee and honorary joint coordinator of the Lalit Kala Kendra (Centre for Performing Arts), University of Poona, 1987-1990.

   
 

Founder member of the National Organization of Youth Artists and Cultural Committee, New Delhi, 1988.

   
 

Founder secretary of the Music and Drama Arts Circle, University of Poona, 1983-86.

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